Monument to a Lost Glove 1998
Ilya Kabakov
5′42 · CH-Dialekt/DE · de/en · 2023
The red glove, seemingly made of leather, lies lost on the ground. But anyone who tries to pick it up is surprised to find that it is made of plastic and firmly anchored to the ground. According to Ilya Kabakov, the artist of this sculpture, it is even a monument. But whom or what is supposed to be commemorated? And how big does a monument have to be? Isabel Friedli, curator at the Schaulager, takes us on an exploratory expedition.
Isabel Friedli
Curator
Schaulager Münchenstein
Written and directed by
Marcel Scheible
Cinematography
Aurelio Buchwalder
Marcel Scheible
Editing
Christian Büttiker
Marcel Scheible
Oeil extérieur
Christa Miranda
Music
Charlotte lang
Voice
Andreas Grötzinger
Location Sound
Timo Schaub
Sounddesign and Mix
Thomas Rechberger
Animation
Luca BartuloviĆ
Grafic Design
Noëmi Bachmann
Color Grading
Hannes Rüttimann
Runner
Tina Mülchi
Monument to a Lost Glove
Installed by Ilya Kabakov in 1998 the crumpled glove lies lost, dusty, and half-buried on the gravelly-sandy soil. Like a silent choir, nine chrome-plated steel lecterns/tablets on poles stand in a semicircle around the inconspicuous garment. Engraved into the tablets are different texts just waiting to be read to stimulate musing or daydreams. The weatherproof installation makes the passer-by pause, the red glove evokes stories and memories. While the monument will remain long term in Basel, temporary versions of the artwork have already provoked ruminating at various other locations, e.g., in Paris, Lyon, or New York.
Ilya Kabakov
Ilya Kabakov (b. 1933 in Dnepropetrovsk, Ukrainian Soviet Socialist Republic–now Dnipro UA–; d. 2023 in New York US) worked in diverse media ranging from painting, illustration, installation, collage, everyday objects, and text often creating site-specific monuments or “memorials.” Driving themes include living conditions and social aspects explored through elaborate environments rich in materials and fusing the everyday and the conceptual. Emigrating to the US in 1987, he mainly lived in New York, where he soon received international acclaim and numerous awards throughout his lifetime. Since 1989, he collaborated with his wife Emilia Kabakov. Monument to a Lost Glove was permanently installed in Basel in 1998.
Emanuel Hoffman-Stiftung
Depositum in der Öffentlichen Kunstsammlung Basel
@ 2023 / ProLitteris / Zürich
Emanuel Hoffman-Stiftung
Depositum in der öffentlichen Kunstsammlung Basel
© 2023 / ProLitteris / Zürich
Artworks in the Collection of Emanuel Hoffmann Foundation outside Schaulager
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